Friday, December 19, 2014

tis the season

Happy mid-December! It's 34 degrees outside and very grey here in Boston. Thanksgiving passed with lots of leftovers, wine, a foot of snow and an impromptu 2am walk through the snowy woods and we are solidly (if not officially) into winter.

For me the first two weeks of December is always a flurry of printing, packing and shipping, daily visits to the post office and crossing my fingers as I drop off original paintings. This year I had a booth at the SoWa Holiday Market, which was successful and busy beyond belief, and am finishing up three new paintings to hang at Flour on New Years Day and a few more to hang in a group show in February and preparing for my first travel workshop in April! The days are definitely packed.

I think around two dozen original paintings have headed off to new homes this season since my Open Studios! That's a record for me and feels very good. The latest was And So Am I, above, which shipped out this morning after a few paint touch ups. 

Today is the deadline for orders to get in the mail and arrive before Christmas, so I'm packing up every last one for Mike to bring to the post office this afternoon and then we'll reward ourselves with our new favorite restaurant (I think I mentioned it before… it's a bookstore and overlooks Newbury Street's lit up trees!) and Wild. Next week I'll be finishing up my own holiday shopping and while I don't think I'll get to do much decorating this year, I hope to at least sew us some stockings and plan a nice Christmas Eve breakfast. Hope you're staying cozy and busy (but not too busy) this holiday season.

Saturday, November 22, 2014

studio twilight

A little snippet of this weekend… twilight at my work desk.

With no overhead lighting in my studio, just a few wall sconces and our window string lights, this year's Daylight Savings time change -- pitch darkness at 4:30pm! -- has been a bit of a struggle. I finally broke down and bought a work lamp for my painting desk… conveniently it's lowest bulb is the perfect height and angle to warm kitties in boxes and has been well-received so far.

Have a creative weekend!

Thursday, November 20, 2014

open studios, guest lectures, travel journals, big art and other thoughts

Okay. So. It's suddenly mid-November, it's freezing here in downtown Boston and I have so much to tell you about! I hope you like pictures and some good art/life rambling.

My first ever Open Studios happened this past weekend and it was a big success! Since moving into my live/work studio here in Fenway Studios back in March I've had lots of individual visitors, but this was my first time ever opening my whole workspace to the general public. I'm still processing it all but here are some thoughts on the weekend.

I didn't know what to expect, but I was hoping that I'd have at least a few people stop into my studio despite being relatively new here (some artists have worked in the building for 30+ years) and not having much of a reputation just yet. I posted about it on Facebook, deep cleaned my studio, made a playlist full of the reggae and beachy music I listen to while painting, stocked up on snacks and wine, set out a painting to work on in my downtime, opened my door and then just hoped for the best.

And it was great! My studio was packed from opening to close each day. At least five or six hundred visitors came in over the weekend and a dozen original paintings went off to new homes, including Sunset over Newport Harbor, Winter Birds I & II, and In Harbor. Despite being the start of a busy time of year, so many of friends and family travelled into Boston to hang out and support me in my studio. I met a huge number of people, including several people who have been supporting my work for years online… two fun, hilarious ladies even drove two hours from southern Connecticut to hang out and see my work in person! Talk about making an artist feel good.

Two days of sharing my workspace was an experience. To be honest, I'm better at writing than talking. Years of bar-tending and traveling alone have made me love chatting up new people, and participating in last summer's SoWa Open Market gave me great practice explaining my techniques on the spot, but I'm still a little shy when it comes to talking up my work in person. Maybe there are a few artists reading this who can relate?

However, this weekend I lucked out with just about the best visitors I could have asked for, most of whom seemed really intrigued by my techniques and genuinely interested in my artistic vision. The depth of some of the comments and critiques of my work was really encouraging, and made me feel like I'm achieving what I hope to be with all these photos and paints and paper. Like the visual story of I'm trying to tell -- one of nostalgia and wanderlust and layered histories and experiences -- is being heard loud and clear. That feels good.

At the end of the second day, Mike popped a bottle of champagne to celebrate with our last few guests and then we called it a night. I was simultaneously exhausted and invigorated, ready to get my workspace messy again. (Not shockingly, that didn't take too long.)

Another big first around here: I was invited to give a guest lecture (my first ever!) about mixed media at none other than Mass Art, the second oldest art school in the country. Again, I sometimes have no idea how to talk about my art -- I just travel and paint, and sometimes it works -- but overall it went really well, mostly thanks to the great group of students I presented to who had lots of questions and a good sense of humor.

(Side note… the most common piece of advice I got about public speaking was to start off with a joke, which worked really well, not because the joke was any good but rather because it was sooo bad we all cringed together and after that there was nowhere to go but up. Success! If you're a regular public speaker, I would love to hear your best advice.)

I brought a few pieces of my own work and some books to pass around, including my ragged, much loved copies of Dan Eldon's journals that first opened up the world of mixed media for me. The conversation wove between my start as a self-taught artist, how to do various collage techniques, choosing materials relevant to your intended vision and other hands-on specifics, but also touched on issues of finding inspiration, maintaining originality, navigating and respecting copyright, licensing, blogging, staying true to your artistic goal and other, broader creative topics. All of these events and opportunities are giving me more confidence to maybe offer workshops and online tutorials.

On the topic of art workshops… my new passport arrived just in time for a very exciting project I had the fortune of joining. I'll have to wait just a bit to share all the details but it is really, really awesome.

Also, it's so nice that the passport office returns your old passport along with the new one, isn't it? I got my first passport during my senior year of high school when I was applying to colleges in Switzerland and London (happily, I ended up choosing a drivable destination) and it's funny to look back at my neat high school handwriting and all the stamps and dates accumulated since then. The Canadian stamp was from mine and Mike's first date after reconnecting in college, and the first British Virgin Islands stamp was nearly washed away when our overloaded dinghy capsized in pitch darkness and we had to swim to the nearest beach with a purse full of everyone's passports held above my head. Adventures! I think my New Years Resolution will be to have more of them next year.

Back in my studio, I've been doing a lot of work with the photos and material I collected on my last road trip through coastal Maine. The photo above was the nearly-finished background of Rose Morning, a 60"x36" seascape featuring Portland Head Light and a huge amount of vintage lettering and materials from around the Portland area. I toned all that bright tan and yellow down a bit with a grey overglaze and a lot of sanding and ended up with a perfectly hazy dawn scene. It's my largest non-commissioned painting yet, although not for long ;)

I've also been working on a little collaged travel book solely dedicated to my Maine findings.

It's only about five pages in so far, as it hit a roadblock that so many sketchbooks of mine encounter due to the paper and spine of the book not holding up to all the glue, paper, photos, sanding, etc. that I throw at them. Self-publishing a travel sketchbook or two (if there is enough interest) has been on my mind for a couple years and I'm torn between continuing this one as a genuine sketchbook that visitors can flip through in my studio, or working on it in a more book-friendly format that is easier to scan and publish. Thoughts on this one are welcome!

What else? Mike turned 28 in October. We celebrated three years since bringing home sweet Chubby Boots, paper-ball-fetcher and blanket-nest-maker extraordinaire. The temperature has hovered around freezing for a few days and we've had a few fires in the fireplace, and somehow only just discovered the best all-day breakfast in Boston a few blocks from us (inside a bookstore!!) on Newbury Street. Jametown Revival rolled through town again last week and were as great as ever, and we got to hear the Dalai Lama give a speech in person the week before. I'm finishing up new artwork to display in Flour next week, gearing up for the SoWa Holiday Market in December, planning a west coast road trip to see my family and as always, trying to find a good work-life balance. Advice on that appreciated as well :)

"The days are long, but the years are short." - Gretchen Rubin

Tuesday, November 4, 2014

my course is set for an uncharted sea

"My course is set for an uncharted sea."
-Dante Alighieri

Been in a sort of weird, wandery mood recently and this saying keeps popping into my head, so of course the answer was to letter it, with lots of nautical charts, international stamps and flowing gouache scripting. (Lots of practice with that scripting as well.)

Prints in my shop here:
Original here: