Showing posts with label in progress. Show all posts
Showing posts with label in progress. Show all posts

Friday, February 17, 2012

a whoa moment

Woke up feeling weirdly inspired after a few days of feeling like nothing... I told Mike "big things are going to be made today." I've been playing around with some new (to me) materials and staring at stuff just thinking about it for a few days and it all came together a few hours ago as a "whoa" moment. Kinda hard to capture that in photos but I had to wait for some paint to dry so I tried anyway...

a whoa momenta whoa moment a whoa moment a whoa moment

The photos don't really do this feeling any justice. The inside of my head is just like, whoa, yes, awesome, ready, go!

Also, I swear I don't intentionally post dozens of photos of my cats... Chubby Boots has just decided that when I'm in the studio my work table, particularly the sunny part within reach of my hands, is his "spot".

You can pair these photos with a mix of reggae and folk rock to get a better idea of the vibe here today... I'm loving "So Nice" by Forest Sun. I think the best way to give him a listen is his Myspace page. Perfect upbeat relaxing music if you like G. Love & Special Sauce, ALO, Jack Johnson, Ray Lamontagne, and Zac Brown Band. (And, if you have any similar bands or artists to share, I'd love some music suggestions! Spring is right around the corner and I'd love some fresh new music to listen to.)

Monday, September 12, 2011

process: follow that train

This weekend was really busy, but I spent every spare moment working on a sort of gritty, dusty piece with some lyrics I liked from Jessica Harp's song "Follow That Train." Kept this one sort of simple with just a photograph I took on Montana's Route 2, some town paper, vintage fabric and metal stripping. And nails... always nails.

Follow That Train 
I also kept my point and shoot on hand, hoping to make a sort of time-lapse video of the process of this work, but it turns out that hurried, badly shot low-res photos turn into just a hurried, bad low-res video. Here are a few I salvaged to give an idea of the process on this one.

Follow That Train, processFollow That Train, processFollow That Train, process
Follow That Train, processFollow That Train, processFollow That Train detail Follow That Train detail

Friday, August 26, 2011

this week's work

Started out the week with some personal frustration, but I tried my hardest to funnel all the negative energy into organizing and painting... it worked. I finished a few older pieces and started three new ones, writing down thoughts, experimenting with image transfers and learning to use my new palette knives. Going to bed at 4am exhausted and accomplished feels good.


brushes
brushes, table, plants, window
small things
And Upon The Shore II
this week's work and a new chair
new chair
sun spot

This is a pretty good take on life... finding the warm, sunny spots and appreciating the shit out of them.

Tuesday, July 19, 2011

today, inspiration, and a work in progress

Here is what today looks like, in my studio.

today, in the studio

On Sunday, Mike and I went to the SoWa Open Market in Boston's South End (only 10 minutes from where we live in South Boston) and ended up strolling through a couple art galleries near the market. Bromfield Gallery was showing Kathleen Volp's "Meridians and Parallels" collection, which explores the geometry of ordinary objects and simple lines, and I was in complete awe of the crazy amount of different textures and materials in every piece. I especially loved "the Veronica" and "Meridians and Parallels"... the second canvas of Meridians and Parallels was so intricate, with so many layers of graphite, collage, pvc, gel and (I think) image transfer that I got so caught up in the details I barely noticed that the canvas was representative of a white men's button-down shirt. In the Veronica, a rough stick and layers of crusty graphite and gesso sat upon a delicate canvas of lace, while in "I Still Miss You", only a sliver of corrugated cardboard or or some kind of wood was peeking out from the seam in what might have once been an embroidered tablecloth. More than one of her paintings had "rust" written in the materials description... how cool is that?

I think the universally present theme in Volp's work that I appreciated, and in all artwork I'm drawn to, is that it initially appears as a whole cohesive work. But, upon closer inspection, there are lots of individual works within it that play off one another, usually where contrasting techniques collide or different subjects contrast... Mixed media is such a great medium to both work in and admire because it allows for a lot of varied textures (and thus, stories and expressions) upon a single canvas or board (or in many of Volp's pieces, vellum and pvc or a shirt.) 

Seeing her work, and enjoying the surprising inclusion of such a vast amount of materials, inspired me to go home and pull out a few bits and pieces of wood, fabric, metal and hardware I've been saving to use in just the right piece-- which I have decided is this one.

today, on my desk
today, on my desk
today, on my desk
today, on my desk

I'd love to get a little more inspiration for this project... have you ever used a particularly unusual material or medium in your art or craft?

Thursday, June 23, 2011

some new work and new music

This post was brought to you by two things I found last night...


and


I worked most of the day on Tuesday putting the final touches on some new pieces, then took a frustrated break at night when I couldn't get them exactly where I wanted. I don't want to force it, I want to be in a groove and feel it and let each piece of paper or splatter of paint happen on its own, but I also wanted to get these done and bring them to get scanned and made into prints and feel like I've been somewhat productive over the last two months.

Halfway through some sushi (that came with the above fortune) and a mason jar of pinot gris I happened to find Garrett Kato via Spell & The Gypsy Collective's blog... wow. His unreleased song "Silver Moon" is in the video above (about Spell's native Byron Bay) and hearing just the first five chords was such a heart stopping moment that I frantically searched the internet for who this could possibly be. I immediately bought both his albums, plugged in my iPod and got back to work with my little brick studio filled with his incredible, gravelly Eddie Vedder-esque voice and guitar-harmonica-violin acoustic storytelling. By 3:30am everything was finished and I was in love with "Tree Talkin'" and "Pull Down The Window". Pretty cool night.

Here are Mandala, an untitled piece, Salt Water, Sea Fever, The World is Pretty Amazing, and Promise.




Today I'm making the trip up north to the print shop that scans my work... so hopefully these will be available soon :)

Monday, June 20, 2011

a day in the life

I love reading Wayward Spark, a blog written by Camille of Red Onion Woodworks about her experiences being a craftswoman, mom, farmer and homesteader. Though we are both 20-something American women and artists, our lives are so totally different that I'm fascinated by everything that goes on in her small Oregon cabin and farm. Her recent "day in the life" post blew my mind and inspired me to catalogue my own day as an independent artist-- unfortunately, since I don't wake up at 5am, have any cute kids or goats, or run a homestead in the woods, mine is far less interesting. But here it is, in case you are curious about some of the things being a full-time artist entails :)

Except for days when he has to go to work early or nights I've stayed up until 5am painting, Mike and I usually wake up together for a cup of coffee and yummy breakfast. This is one of my favorite things about my new job as a full-time artist-- I really love "getting started" for the day in a slow-paced way with Mike before he goes to school.

Blueberry-raspberry-chocolate pancakes and some amazing coffee. We visited Mike's parents the weekend before and got to bring home a bunch of beautiful flowers from his mom's garden.

I have a weird thing for nice coffee mugs-- drinking strong coffee out of a nice mug is just awesome, who knows why. This mug was handmade by potter Karen Lorenc. The butter dish was made by Sumiko, and the plates are stoneware from IKEA.

Not everyone wants to get up early.

After breakfast Mike walks to the subway and I get right to packing and shipping the last day of orders. I used to only ship every 2-3 days, but now that I have more time and the post office is super close I try to ship every morning. My desk is outside my studio (read: computers are away from paint and brush water) and is actually a kitchen table from college (as is all of our furniture, excluding our couches and the TV that came with our apartment). This is where I do most of my business stuff and where I sit when Shit Needs to Get Done.

A couple prints packaged, tied up and tagged. I'm working on new packaging, due out at the end of summer.

I had a very large order to ship out to the Vessels & Jewels art gallery up in New London, NH along with my regular orders. Big print orders get shipped wrapped in about a dozen layers of bubble wrap, which is almost entirely free and recycled from Mike's office.

After everything is packed, I take a break for lunch, which is usually a protein smoothie. I've never been big on vegetables, but at one point a couple months ago I realized I literally hadn't eaten a single vegetable in over a week and that kind of creeped me out. I started replacing one meal a day with a green smoothie when I found out that you can completely hide the taste of vegetables (kale, cucumber, lettuce, spinach) by blending them with fruit and juice. I bought an Oster personal blender which is super easy to clean, and on days when I have a veggie smoothie I feel like a million bucks and have more energy than I know what to do with.

On my way to the post office with about 25 orders. I knew there was a post office nearby our apartment when we moved, but then found out it was only about 4 blocks up the street, meaning I could walk or bike there! So I got a basket for my bike and only drive when I'm shipping a very large piece. Boston really hasn't gotten the hint that it's summer now, as you can see from the raincoat and long pants. On nicer days I try to bike around our neighborhood for a little while before going home.

After shipping orders, I try to get as much business stuff done as possible before getting my hands covered in paint. I answer emails, blog comments, Facebook posts, any pending wholesale or custom orders and then do an inventory of supplies if it looks like I need them. On this day I ended up stocking up like crazy- 250 mailing tubes, several bales of bubble wrap, cardboard mailers and archival paper. Gracie is either sleeping or doing cat yoga?

After the business side of things is done (and there is a lot) I finally get to play in my studio and actually make art. I started this piece over a month ago and really wanted it done, but couldn't figure out exactly what to do for a while.

The inspiration is back :) I'll move things from the easel to the desk constantly so I can see what different colors or lettering will look like before making it permanent. This is the last piece I have to finish before taking it and 4 other paintings up North to the print shop that does all my high-res scanning prior to selling or making them into prints. Since it requires two 2-hour round trip drives I try to get a lot of finished pieces together and make it worth the trip.

 About half of my text is hand-lettered (ie, my handwriting or hand-drawn letters) and the other half uses stencils or stickers that I resize, cut out, paint over or otherwise alter to look how I want while still retaining some of their original shape/size. I paint on top of recycled cellophane print sleeves that are torn or wrinkled-- it protects my table, and the letters or other painted paper lifts right off.

More of this piece. I've been working on it forever, but I know if I don't force it, it will come out just right on its own.

After painting that day, I went to pick Mike up at work in Cambridge. He is currently pursuing his PhD at M.I.T. so I usually park and meet up with him in the biology lab where he works on his thesis project, which focuses on capturing sustainable solar energy from marine algae. I waited for him to finish doing some kind of intense-looking science thing and then we headed home. 

I got lazy and stopped taking photos at this point, but if I had to guess, I think our night probably ended watching hockey and eating sushi, and a little more painting... Not bad for a full day of self-employment :)